Into the countryside, we’ll link spomeniks while harassed by sheets of rain that turn the track into mud and leave us shivering wrapped in grey. Unphotographed moments that have now only retrospexistence, which can often be truer.
Into the countryside, we’ll link spomeniks while harassed by sheets of rain that turn the track into mud and leave us shivering wrapped in grey. Unphotographed moments that have now only retrospexistence, which can often be truer.
The Spomeniks of former Yugoslavia are future thinking, political, and mnemonic. They are notable in how their materiality achieves spirituality. To me they have a powerful beauty and they continue to speak even as they decay and are in many cases neglected.
Those next days headed toward Sjeverni National Park, startlingly dry, a concrete impacted heat, leaves us heaving into noons. Well above the sea and the E65, we don’t see anyone for twenty hours. As if we’re pedaling against a static painting, pebbly grit, haze chalk green.
Pinball bounding bouncing rock to rock and from the edge of your vision you can see see where the stone fences have collapsed to haphazard return to the track. Snapping twigs and leaf shush, our arms raked by thorns. Heat concentrated into a clearing, dive past the perimeter again.