We talk into the pitch dark night, that fluent wobbling meander of two glasses of a vintage varietal on top of the beers, flames low, laughing guffaws, tales finding finally a looking up introspection everyone else goes to sleep.
We talk into the pitch dark night, that fluent wobbling meander of two glasses of a vintage varietal on top of the beers, flames low, laughing guffaws, tales finding finally a looking up introspection everyone else goes to sleep.
Falling asleep on soft sand that I made conform to my body, looking up at uncountable twinkles, my breath clouding into the Milky Way. There is no where we ought to be, just where we are.
Curving, arcing, up down big rocks babyheads sand sharp edges, tearing flora on both sides. Riding I love so much, slow crawling problem solving, hard but not catastrophic.
Riding out of Phoenix is interesting, hiding in the seams between development. Like visiting a secret orthogonal dimension world, where we could see out of it but few could see in. And then a barely perceptible slide then a burst into open country, the angles of constructed spaces a memory of an echo.
I’ve been drawn again and again to the former Yugoslavia for the history, the transformations, the architecture. Tracing a wavy line from the Serbia capital to Podgorica, Montenegro, there were specific highlights crucial to the trip.
Grabbed a shortcut, wading through wildflowers, abandoned stone road, river trudging, following gps track. Then another million hour dirt climb to the highway, pummeling rain.
A landmark, a place to focus a quiet fun story, a metaphor.
This inland Maine, mosquitoes and a low rippled earth, a thickness, a null-time and none-here, a forward that feels like a happy stuck.
Into the countryside, we’ll link spomeniks while harassed by sheets of rain that turn the track into mud and leave us shivering wrapped in grey. Unphotographed moments that have now only retrospexistence, which can often be truer.
We’ll visit some sites from tour and guidebooks, mostly we’ll be breath slowing across landscapes to find less insistent beauty, the beauty in the ordinary things in their ordinary state.
Everywhere is in our imagination before we go and even after, but Japan unusually so. Landscapes outside of temporal location, in the city it’s dense quiet incandescent tidy shoulder to shoulder bullet train shoe fall spider web of communication lines vending machines shrines at the foot of glass sheen. We’ll try incompetent noodle slurp, we’ll drink beer with men with loosened collars and identical sloppy knot black ties, we’ll stand quizzically in front of blinking lights for some sort of tawdry robot show.
In a month we find no singular place that is Cuba, instead fractal shards where every deeper shape contradicts the emergent ones. It astonishes us every day, we’re breathless in its self aware narrative.